Holiday Time

Yes, the holidays are upon us and I am taking a three week blog-cation.  Enjoy your holiday festivities.  I will celebrate with members of my family, the most precious gifts I have ever received.

Idaho Winter Scene (with a few stars added)

I wish you all a MERRY CHRISTMAS and HAPPY HOLIDAYS.

Lemonade

When life serves you lemons, make lemonade.  What a concept for life and for quilting.  If you hadn't guessed it yet, I am a flea on a hot stove, except when I am hiking (when I am really slow!).  My excitement and anticipation sometimes get me into trouble when I enter my sewing room and plow forward with determination.  That is why my faithful readers get to vicariously walk through a lot of obstacles on my blog.  I try so hard to achieve perfection, but remain quite good at making mistakes.  However, I usually am able to figure out a way to solve the problems I create, so I share.

I put together the white and the black background of the quilt.  Then I pieced the side panels and machine appliquéd them onto that background.  There was some excess black on the left side, which I intended to cut back once the sides were sewn down on top of it.  I forgot!  I didn't even think of it again....until I quilted one of the orange triangles.  It was very clear that there was black fabric behind half of it with a very visible straight edge.  It SCREAMED at me under the light fabric.  I was not going to redo the quilt or remove all the quilting that was keeping me from getting at it.

Black fabric behind upper orange triangle

So I set the "lemon" aside and did some other things that needed doing.  Then I made some Christmas presents.  Then there was lots of cooking for Thanksgiving at the last minute because icy roads prevented us from joining family for the celebration.  By this time several days had gone by, and I had finally decided what to do.

The background quilting of the offending triangle was very tightly sewn so I made a mock-up with scraps showing the black behind the orange, and then did the same kind of quilting with the same color thread.  Why?  I needed a tester.  I tried some paint, but that looked awful.  Than I wanted to see if I could take out the heavy quilting without ruining the fabric.  YES!  It worked, so I carefully ripped out the quilting of the one unsightly triangle.  It took a couple of hours and a good audio book.  Then I sprayed water on the fabric to relax the fibers and rubbed a soft toothbrush around to gently induce the needle holes to disappear.  The fabric looked a bit used, but not damaged.  Once the fabric and batting were dry I opened the triangle and carefully snipped out as much of the nasty black fabric as I could reach without cutting the quilt top.  I couldn't get it all, but as you can see below, there is no longer an eye-catching straight line of black.  A little bit is still there, but could be mistaken for a shadow or a natural dark spot in the batik fabric.  At least I hope it looks like that!  All has now been repaired, the area re-quilted, my enthusiasm restored and I am excited to move on.

After snipping out the black and redoing the area - not perfect, but OK (I hope)

TIP:  It is discouraging to make a distracting error, so leave it for awhile as you ponder solutions and decide on options.  This took me a few days.  I don't recommend tossing it in the closet until next year.  If I did that I wouldn't remember my plans for finishing and that might lead to more ripping.

I successfully finished the background quilting and some of the pieced side borders - still more to do on the sides.  The black at the bottom will be quilted after the bird is in place.  (Don't worry, it is not crooked, but is hanging wonky with a rumple in the middle - nothing permanent.)

Background quilted and ready to receive the bird.

Below is the back.  I wish I had put colored thread in the bobbin for the straight lines on the pieced side parts.  Oh well, I think I will do that as I quilt the rest of those pieced parts.

Reminds me of the Mediterranean designs.

Happy Thanksgiving

Best wishes to all as we take a day off to enjoy a special day this week.  I will be baking pies on Wednesday and gathering with family on Thursday ignoring my computer and being thankful for all God's great gifts.

HAPPY THANKSGIVING
Have a great day.  Blessings to each and every one.

New Learning Opportunity

I love the work of Lea McComas.  Her quilts look like photos in thread, unbelievably precise and realistic.  I bought her book (available on Amazon), "Thread Painted Portraits," one year ago and used it as the basis for learning how to thread paint my Phoenix bird.   The poor creature reclines on a bed in suspended animation waiting to be sewn onto his background quilt.

Last week I discovered that Lea McComas was giving a workshop for the Rocky Mountain Creative Quilters reasonably close to my home.  I had never heard of this group, but wrote to the program contact to ask if there was room in the class.  There was one spot left and I had four days to get a check to her to hold the place.  Kindly she signed me up when I advised her that the check was in the mail.  I dragged my sewing machine and the paraphernalia needed for a full day workshop.  The class was well organized with plenty of time to try out Lea's techniques with her supervision.  She visited each pupil several times during the class to comment, critique, and approve.

I know I must finish my Phoenix, but I will have time during the holidays when I can't work on the bird, but want to have a small project to entertain me.  Using the suggested techniques I have prepared a photo of my grandson and will give it a try.  I anticipate the finished project to be about 12" x 15" so not too big.  Here is one of my photos that I prepared in Photoshop to show the areas which will be sewn with different values.  The color in his face will be more vibrant when painted with thread.  It is easier to see the values on this muted version, and they are critical for portraits.

Black Belt

Where appropriate, the hard lines will be blended together.  I am already planning my threads and have the materials on a list for the next time I descend the mountain to shop.

TIP:  Be open to new learning opportunities.  Not only did I learn a lot, I had fun and met some very nice people.  I plan to go to some of their meetings in the future and may join the group.

Sew a happy seam this week.

Perfection

Many thanks for the good wishes last week.  They helped me get back up on my feet and I am now 100% again.

In a previous post I talked about striving for perfection, but that in some quilting designs total perfection is not really required.  I can now prove the truth of that statement.

I was so excited to have a post pop up on Facebook about using rulers on a domestic machine for quilting.  It suggested using the zipper foot with the machine in free motion mode.  Wow!  What a great idea.  I will explain and show photos, but first let me give the dire warning.

WARNING:  You should use the heavier, 1/4 inch thick rulers and a thick free motion quilting (FMQ) foot.  The special foot will prevent the needle from ducking under the ruler causing damage to the needle, ruler, and worst of all the machine.

Danger:  thin ruler with quilting foot. 

Zipper foot (thick base) --  Quilting foot (thin base)

I decided to try it with a thin ruler as I didn't want to purchase an expensive, thick ruler without having any idea if it would work for me.  I was VERY careful to line up the ruler securely against the side of the zipper foot before sewing each line.  The needle was a decent distance away from the ruler.  Since the machine was in free motion mode (feed dogs down) I could move front to back and sideways with no problem.  You adjust the needle right or left until you get it where you want.

FMQ with zipper foot

TIP:  Please note the warning above.  I don't want you to ruin your machine because of this post.

I used a 6" square ruler and a 3" square ruler and found that the 6" worked better.  I didn't have any trouble moving ruler and fabric with my left hand and a glove on my right hand.  However, I decided that some grabbers might help on the back of the ruler.

Adhesive backed grabbers

Four grabbers (larger white circles) on the back of the ruler

They are great!  It was much easier to move the fabric in any direction.  It took some practice to get my stitch length regular.  Below are my best practice results.

Not perfect, but definitely acceptable!

Now it was time to try it on my quilt to fill in triangles that are 1-1/4 inch tall.  First I ripped out all the stitching that I had previously done with FMQ.  The purple lines are only guides.  The stitched lines will be closer together.

Triangles waiting for fill lines.

I did three triangles with my new method, ripped out two.  Replaced them.  Ripped out one.  At that point I ripped out all three and put my FMQ foot back on, hung up the ruler and did the lines without the ruler.  They are not perfect, but they still look nice without any ripping, and it went so much more quickly.

FMQ fill.  Ruler idea discarded!

TIP:  Try new methods.  Some work.  Some don't.  I think the problem here was that the lines are so short.  I finally used a micron pen to put a tiny dot on my quilting foot which I can use as a guide to maintain spacing and direction as needed by lining it up with previously sewn lines.

I will eventually get a thick ruler because I know now that I can do this.  My daughter tells me there are places on the Web where I can get a proper foot that will adapt to my machine.  More research needed.

TIP:  Perfection is still a worthy goal, but sometimes reality looks just as nice, is easier, and saves time.

Sew a happy seam this week.

Take Time to Contemplate

Sometimes it seems that there is no time for contemplation in our busy lives.  I have had plenty of time to contemplate as I recover from a stupid virus that has sapped my strength.  I feel better today at last, but don't have the energy to put into a blog post.  At times like this I love thinking about the beauty of the outdoors so I offer you this photo.  Look at it awhile and feel the peace of meadow, mountains, and gentle river carrying fresh, clear water.  It is restorative to sit quietly and enter into the landscape.

Morraine Park, Rocky Mountain National Park

In another day or two I will get back to my sewing machine.

Sew a happy seam this week.

More Marking Methods

Last week I wrote about marking every little line for the pumpkin seed pattern, but different designs require different treatment depending on their complexity and the quilter's expertise.

This quilt of mine requires a lot of interesting background quilting.  It certainly isn't boring, but I have spaces that need to be filled with designs that will remain decorative but unobtrusive.  With that in mind I have made them regular and repetitious but (hopefully) engaging.  Each design fills a relatively small space and in order to sew them nicely I feel compelled to provide guidelines, but I don't need to mark every line.  There are multiple ways to do that depending on the design, so here is what I have done.  My marks today are with a pink pen which has ink that disappears gradually in air and all the way with water.

I am quilting the quilt completely and then sewing a thread-painted bird onto it.  The background is painted with Intense pencils before quilting, but I did not paint in the areas that will be covered by the bird, leaving those areas plain white.  However, I will still be quilting in those spaces so that the back of the quilt will not have big, un-quilted blotches behind the bird.  [The following photos do not adhere to any consistent scale so ignore the size differences]

The first items that need marking are 1-inch circles in which I am stitching a sunburst with curved rays.  I found I needed a grid to keep an even number of rays coming out of the center in a regular manner.  The red is drawn with micron pen and intended to be permanent.  I will not be quilting on that red line.  You can see how I marked the grid.  I free motion quilted the inner circle and then the eight rays in the manner of the blue line, moving from the center to the outside red circle in a curve and backtracking back to center, then moving on to start the next ray at the next gridline on the center ring.  They are not perfect, but they are close and reasonably regular, which I like.  Read on to see the next photo, which shows a bunch of them completed.  I will stitch pebbles
around the sunbursts eventually.

Sunburst grid

Next I have some rows of triangles,which I am filling with free motion straight lines.  I marked a few lines in each triangle to help me keep the lines as straight as possible.  Since this photo is taken of an unpainted area I used blue marker for the triangles.  The stitching will show on the back so it needs to look right.  Straight lines are not easily done with free motion, but these are too short to mess with a walking foot and turning the quilt a jillion times.  With practice it is possible to learn do them pretty evenly, and as I mentioned last week they don't have to be obsessively perfect to look nice.
.

Guide lines in the triangles

Finished sunbursts and triangles

The last areas to fill are some yellow rows that are only 1-inch deep.  I decided to do feathers, but I wanted to keep them fairly regular so I made a pattern of the curve I wanted for the spine, and cut it from a double layer of freezer paper (shiny sides ironed together).

Freezer pattern for feather spine.

Feather spine

I love doing feathers and do not need to draw them out so I will free-motion stitch them along the spine.  If  you are not comfortable with free feathers, they could be drawn with a marker too.

Feathers

TIP:  Last week a comment was made about marking with Frixon pens.  They seem magical as the marks disappear with heat from an iron or hair dryer.  I want to warn you that these pens are made for paper and not for fabric.  Their behavior on fabric was unintended, unplanned and not guaranteed.  The problem with them is that if your quilt gets cold or is shipped somewhere in freezing weather the pen marks will reappear.  It is clear that although the ink becomes invisible, it remains in the fabric in some form.  In many cases this is not a problem, but at least be aware.

Sew a happy seam this week.

To Mark or Not to Mark

There once were days when I worried so much about how to mark a quilt for quilting.  I wanted every line and every stitch marked on my quilt top.  I soon decided I would have to change my thinking because marking just doesn't always work.  The disappearing ink disappears.  Chalk rubs off.  Washable blue markers become permanent if you accidentally iron them.  Some markers don't show on dark fabric, others don't show on light fabric, and nothing shows on busy prints.  Tissue paper rips and freezer paper is too stiff.  Never fear it does work itself out with experience, but there is no right answer that covers all situations and personal preferences.

So then the problem becomes, "Do I really need to mark?"  As usual the answer is, "It depends!"  I wanted all the answers packed into neat compartments that would be tailored to every occasion.  Yeh, right!!!  However, I now recognize the situations where I need to mark and where I am comfortable doing truly free-form, free motion quilting.  You will too as you move along and gain experience, and each one of us has different needs and capabilities.

I am currently doing the pumpkin seed design in a 1/2 inch grid.  This is a nice size, but there is not much room for error if it is to look nice, so I am taking the time to mark every line with a disappearing ink pen, which has a relatively sharp tip.  I find it a lot easier in a tight space to have lines to follow.  My ink drawing is free-hand and not perfect, but I am more confident with a pen or pencil than with the needle in these small spaces.  My stitching isn't perfect either, but I like to think the imperfections are fewer and less noticeable when I mark in this situation.

Marking with air-disappearing pen

TIP:  Many experienced quilters say that your quilting does not have to be computer perfect.  In fact I have often read that it is better, more organic, more real if it is not so exact. There is nothing wrong in striving for perfection, but don't be too hard on yourself when you fall a little short.  You will improve with every quilt.  After all you are only human, and sometimes you might have to rip (shhhhh!) and that's OK too.

Here is the stitched result.  It gives such a pretty, almost architectural texture that will not distract from the main event, which will be the Phoenix bird.  The black lines of the grid are done with a black micron (permanent) pen and are part of the intended background "painting."

Pumpkin seed design quilted

I leave you to ponder your quilting while I spend my time doing an awful lot of pumpkin seeds.

Sew a happy seam this week.

No-Sew-Time

Do you ever have times when the sewing just isn't getting done?  I love to sew and find it therapeutic, satisfying, challenging and gratifying, but once in awhile it just doesn't happen.  Maybe I am solving a problem.  Maybe I am not enthusiastic about the next task (ripping, basting).  Maybe life gets in the way and I don't have time.  Maybe my sewing room is too much of a mess.

I found myself in No-Sew-Time this week.  I finished the background for my Phoenix, I got it sandwiched and pinned all ready to start quilting.  Although excited to get started, I sometimes set myself other tasks, which my inner genie says must get done first.  Quilting will be the reward.  So, I tackled the mess in my sewing room since I could hardly move in there anyway.  I put away all the papers and paper patterns.  I went through the memorabilia boxes, repacked them and sent them off to new residential space.  I separated fabrics and scraps that had taken over the bed.  I made swags for my bedroom windows.  I went through my closet and took a load to the Thrift Store.  Finally I did the long avoided:  I cut down three T-shirts that were too long and hemmed them (they have only waited three years or more get the treatment).  Now I have new T-shirts without buying any.  Now I can move in my sewing room.  Now I can find the bed.  Now I can start quilting tomorrow.

TIP:  Really?!!!  I found this on Facebook.

I welcomed three quilts home last week from the show circuit.  The one below spent a lot of time in the inner regions of my skull before I actually put my ideas into Illustrator.  Eventually I came up with the design and figured out how to do it.  Not every step went smoothly, but it all came together in the end.  There are some glitches and of course the judges found them, even some I didn't know were there, but I still love the quilt and enjoyed doing it.  It mirrors the beautiful designs of the Mediterranean where nearly every surface is intricately decorated.  I pieced, appliquéd, beaded and painted.  The little stars at the bottom are stenciled with gold Tsukineko ink.   I quilted it on my home machine.

Mediterranean Mélange

Up close

Sew a happy seam this week.

A Lesson on Canvas

As I was cogitating the future of the Phoenix, I looked into using canvas as the stabilizer for thread painting.  I knew that some quilt artists use "light weight" canvas and thought I might try it.  I checked the Web and learned just enough to be dangerous.

Duck cloth is a canvas.  The word comes from the Dutch "doek" meaning "linen canvas."  It is labelled according to its weight, i.e. #1 to #12 with #12 being the lightest weight.  Interesting, but it doesn't give me much to go on so I didn't want to order it sight unseen.

Next I stopped at Joann's and found the canvas aisle.  Some was colored, some was natural and some was primed, but not a one noted the weight.  Not much to go on there either so I came away empty handed.

Finally I found Big Duck Canvas where the various types of canvas are described.  They say that duck cloth/canvas and canvas are two names for the same thing.  There are two types that are separated by weave (single fill and double fill).  This is so well explained on that website that I am not going to redo it here.  The numbered canvas is double fill and is a more tightly woven and stronger product than single fill.  The single fill canvas is labelled by ounces/square yard and is softer and not as strong as the double fill.

I decided that the "light weight" canvas used for stabilizing is probably the single fill type and I ordered one yard of 7 oz canvas.  It is nice, but even the pre-shrunk variety will shrink.  I washed it, decided to use the original bird and packed the canvas away for the next project.  Sorry, I can't tell you how it works....yet.

Who wants to waste a photo on a piece of canvas?  Not I.  Our mountains are exploding with the Fall color of aspen leaves.  Here are a couple of photos I took the other day while hiking through the gold mine of beauty.  Lovely palette for a quilt.

Bear Lake, Rocky Mountain National Park

Otis and Hallett peaks, Rocky Mountain National Park

TIP:  Take advantage of a beautiful day and go out exploring.  You will come home ready to sit down and sew.  You may come home with inspiration and/or solutions to incorporate into your quilting.

Sew a happy seam this week (and take a nice long walk outdoors!).

Battle Plan

Cathy commented on my last post about my "battle plan."  Unfortunately, I had been been battling with emotions rather than plans.  Struggling with testers. Figuring out how to do it.  Jayne Bentley Gaskins responded to my email about the thread painting problem even though she was busy setting up a second home in VA.  She kindly shared her expertise and encouraged me to stay with it and try to use the bird that is already thread painted.  So I sat down and did some more testing.  I am going to go for it.  I am so glad to have my decision made.  After two weeks of waffling I am ready to move forward with a true battle plan.

TIP:  When you have a fail and want to move on it helps to walk away for awhile, do something else and let the ideas percolate.  In time it all settles into place and your brain adapts to new possibilities.  Mistakes often evolve into new techniques.

TIP:  Don't be afraid to contact other quilters even if they are well-known and published.  If they don't answer, no loss, but quilters are some of the nicest people with whom I have ever associated.  In my experience they are kind and willing to share.

I have begun the tedious job of drawing the background design on a new piece of fabric.  I say tedious, because it involves drawing precise lines with Micron pens, which are very permanent.  These lines must be measured as exactly as I can manage so I spent two-plus hours working very carefully. Measure twice, check it out, measure again, say a prayer, and draw the line.  I made two slight errors:  one will be painted over and I hope the bird will cover the other.  If not, I will figure out something on the fly, an extra feather or something.  There is a lot more to do, but the areas with the 1/2 inch grid are finished > sigh of relief.  Fatigue reared its ugly head so it was time to quit for the day.

Grid with freezer paper to guide the extent of design so I don't waste
my Inktense pencils.

What did I do differently and better?  I planned out the lines of the background design better.  I will no longer have the bird eating a golf ball.

From the trashed quilt.

I will no longer have a black line of pieced fabric lining up with a black line of background.  I thought that looked a little funny, but I couldn't do anything about it first time around and was just glad I could line them up exactly rather than slightly off.  Now I don't have to worry about that as the point will be in a section of grid rather than on the edge.

From the trashed quilt.

I painted the crosswise, dividing lines with Inktense pencils and got a deeper, more vibrant color this time.  I masked each line with masking tape and was able to pencil harder and darker because I didn't have to worry about going out of the lines.  I used a popsicle stick to rub the tape down tight so no color could escape.  Same thing when I applied the fabric medium over the pencil.  Much easier.  I don't know if it saved time or not, but I am pleased with the results.  Compare the painted black lines in the above photo with the new ones below.

Lines done and masking tape in place for the next one.

I have a lot more painting to do while the bird just relaxes behind my sewing machine waiting for its resurrection.  Actually, it kind of looks dead doesn't it?  Spooky!  Just wait....

Sew a happy seam this week.

Opportunities

Have you ever looked at your quilt and said, "I wish I had done that differently.  I have such a good idea, but it didn't come to me soon enough.  I wish...., but not enough to take it out and do it over."  Every now and then you might have that opportunity for improvement, but I guarantee you will not be happy at first.

I have been quilting along on my Phoenix bird, but I looked at it differently when I laid it out and showed it to my daughter.  The bird is beautiful by itself.  The rest of the quilt looks and feels like warped cardboard.  Oh dear!  This is not going to be good enough to show and none of my photos show how bad it is.  I can't imagine it blocking out.  It won't even be good enough to give to my sweet granddaughter who drew the design.  Realization.  Devastation.  Destruction of denial.

I have been going through past issues of Machine Quilting Unlimited, and serendipitously came across an article by Jayne Bentley Gaskins, "Taking Trapunto to the Limit." I looked at it months ago, but forgot it completely because it didn't apply to my quilting plans at that moment.  She made a beautiful parrot, but she thread painted it separately then appliquéd it to the background by thread painting the edges down so they melded with the previous work on the bird.  She also stuffed the bird heavily (trapunto) with polyfill so it sticks out significantly from the quilt.  One of her points was that the heavy thread painting dramatically shrinks the fabric, which is exactly what happened to me.  I knew that would happen, but thought I had prepared for it adequately with two layers of stabilizer.  Instead, I was left with an unmanageable volume of fabric around the edges so I quilted the background heavily, which took up the excess, but the whole thing ripples like a bad storm at sea.  On the sewing machine it looked ok.  Laid out on a flat surface it is hopeless.

TIP:  Sometimes there is only so much you can do before it is time to throw in the towel, but what a great opportunity to rectify mistakes and make a truly magnificent quilt.  Wipe away the tears and start planning.  Maybe you'll feel better if you move on to a new project, but do move on.  None of us is perfect.

I had to accept that I now have an opportunity to fine tune the quilt and try some new methods.  My cup is quickly moving from half empty to half full and I am ready with new plans.  I thought I could cut out the bird (batting and all) and thread paint the edges down to a new, fully quilted background, so I tried it on one of the old testers that I had laying around.  The bared edges flaunted the layer of white batting.  Ick!

Cut out feathers

OK, how about painting the edges with Inktense pencils?  Great idea.  So I tried it out:

Painted edges.

Better, but not great.  Next I tried stitching the feathers (with painted edges) to another tester piece, which was layered for quilting, and fooled around with some stitching.  Ah, that looks pretty good with just a straight stitch run back an forth along the edges.

Stitched down

Not bad.  DH liked it and so did I.  So...I sat down and cut out the whole bird trying to avoid cutting stitches on the outside edges.  I did cut a few, but figured I could fix that when I stitched the bird down, but then I found another problem.  The back neck of the bird looked like he had been slammed by a rock and had a major bump.  The black backing was also badly frayed after being handled so much.  That's when I threw in the towel.

I ordered light weight canvas and Misty Fuse and I am ready to start completely over.  I will fuse fabric pieces for the feathers to the canvas and thread paint the bird.  I still have to work out the potential of heavy fraying with canvas and how to handle it.  I will do all the quilting for the background separately from the thread painting.  I will then cut out the bird and appliqué it onto the "finished" quilt.  I am already excited about it.  I kept all my pattern pieces and guides so I am ready to go.  With all that done, plus many hours of practice at thread painting I am optimistic that all will go well and faster than first time around.  I've got my mother's bulldog gene!

TIP:  Practice may not make perfect, but it will make better.  I am counting on that.

An apropos quote from "Art and Fear" by David Bayles and Ted Orland:"

"The function of the overwhelming majority of your artwork is simply to teach you how to make the small fraction of your artwork that soars....even the failed pieces are essential"

Sew a happy seam this week.

Testing Always Works - NOT

I spent a lot of time testing materials and techniques for my Phoenix bird and was confident that I had the process carefully planned.  In March I wrote:

Quilting

Normally I don't worry much about my quilting ahead of time although it does bang around in my head as I work.  However, on this project I have thought a lot about how to quilt the painted background so I tried some of my ideas.  When I looked at the results I realized that there was way too much interest and texture.  The problem is that the bird will be very flat after all the thread painting and I don't want the background to cause visual interference.  My new decision is to do McTavishing with champagne-color, silk thread.  This will tame the beast and still look really nice, maybe a little like smoke from the fire below the bird.  It will allow the bird to fly. 

Now the bird is done, the fire is done and one side of the painted background is McTavished.  The result?  I don't like it at all, even though it looks great on the back:

Backside Quilting 

Unfortunately, I don't have a picture of the front, which may be stuck in Adobe Lightroom, which won't open.  Computer frustration is as bad as quilting frustration.  Anyhow, the background is very geometric (thread painting of the bird has not been done in the photo below):

Note background here

When I looked at the McTavishing I had done, I felt it fought with the background design with bumps and poofs that didn't align with the geometry.  The bird is so vivacious and colorful that the background couldn't possibly outshine it.  So I ripped out all the McTavishing, and did precise, tight, geometrical fillers in each section of the background.  BTW  the thread was silk and it is strong and slippery so is relatively easy to rip out...the operative word here is "relatively."

Here is an example of what I finally decided to do with the background:

New background quilting plan

It eats up the extra fabric that was created by the thread painting, but there are still problems, which I will describe next week.

TIP:  Testing is very important in the development of your quilt, but remain flexible because things don't always work out as planned.  (Stay tuned).

Sew a happy seam this week.

More Hoffman Challenge Quilts

Today I have more Hoffman Challenge quilts.  If you didn't see the ones I posted last week, just scroll down to my last post.

More elephants.  I love this parade.

A colorful, pretty sampler.

Isn't this horse a beauty?

More of the popular elephant theme.

Whimsical and fun.

This was very unusual design with color that really caught my eye.

Lovely appliqué and nice quilting.

Great dancing gypsy.  I loved the use of the challenge fabric in this one.

The intricate design caught my fancy on this one.

An interesting "modern" quilt.  It was sad to see the obvious fold lines, and they were a distraction on many of the quilts.  I can only assume that they were packed too tightly for their trip to Loveland.  However, it was a great show.  It is fun to see how all different quilters use the same fabric.