Freezer Paper Piecing

This is a short post today with no photos.  I hope it is helpful.

I  have been asked a question about Freezer Paper Piecing and since I am not set up for video photography, I found a U-tube demonstration, which shows it well with lots of detail.  One link is for Part I, but be sure to continue to Part II.  I use this for simple and/or large patterns.  If you are doing a complex pattern with tiny pieces I think you are better off using a foundation paper that you sew through.  With Sulky Paper Solvy, the paper will dissolve when the quilt is washed or soaked.  The problem I had with freezer paper on a complex pattern is that it tends to peel away if you are not careful and that is why I use a pin or two judiciously.  The beauty of using freezer paper is that you don't have to pull paper out when you are done, and you can reuse your freezer paper pattern on the next block if it is the same.

Blocks in a Border

The next steps in this Lifetime quilt were so much fun.  The idea behind the quilt was to catalog the things that have been important in the lives of my husband and myself.  I have a book which has blocks that are associated with every state in the union, "Create Your Family Quilt Using State Blocks and Symbols" by Barbara Brackman.  From this book I used blocks from the states in which we have lived and other blocks that represent things we remember and love.  There are no patterns in the book so I drafted them on the computer.  I also picked some blocks from other books and designed the columbine block.

The first set of blocks each have a 1/2 inch dark blue border and they are set on point and finish to 5 inches.  For newbees, this means that they are placed on the quilt with the points along the quilt's vertical and horizontal lines.  You can see what I mean in the following photos.  This means that the space around them must be filled in with something.  The filler I chose was pineapple log cabin triangle, which I paper pieced.  You sew a strip to each side of the triangle and put a cap on them, then do the next layer, etc.  They echo the inner log cabin border and provide and interesting background for the blocks.

Pineapple Log Cabin in Illustrator

In the Illustrator design some of the blocks are rotated the wrong direction.  This really doesn't matter because the drawing is always an approximation, no matter how precise, of the final result in fabric.  Once the blocks were made I laid them out on my bed and spent time running around arranging and rearranging until I had the blocks so that they pleased my aesthetic.

Side blocks in Illustrator

To assemble this border you sew one edge of the triangle block to one edge of the square block.  Then you do the same with the opposite edge of the square block.  This gives you a strip on a 45º angle.  Once you have all the triangles sewn onto all the blocks you sew the angled strips together.  No Y-seams to mess with.  This may be on a 45º angle (like bias), but all your edges to be seamed are on the straight grain of the fabric.

Assembing the squares and triangles.

In the fabric version you will see that I added a 1/2 dark blue border on the inside edge.  Eventually I will put the same on the outside edge, but that will wait until I get the top and bottom borders done.  The original design had a rectangular pink strip on the top and bottom of each side border, but the collection of 5 inch blocks came out slightly taller than Illustrator determined so I added the pink border all the way across to finish the top and bottom edges.    No, the finished quilt will not have a horizontal ratio!

Fabric side borders added.

TIP:  If you get into self-design, be flexible.  Sometimes things don't work out as you had envisioned. You have to be the kind of person who can adjust and come up with solutions to problems as they pop up.  Borders and/or blocks of fabric can equalize a design that goes sideways.  Take your time deciding what to do.

Puzzle Quilt

Here is a quilt that was just plain fun.  It is called a Puzzle Quilt from the book "Puzzle Quilts:  Simple Blocks, Complex Fabrics by Paula Nadelstern.  She is another very talented fabric and pattern designer and quilt maker.  The idea is to cut triangles from different, interesting fabrics, and she gives direction as to what is likely to work best.  In doing this I learned a lot about which fabric motifs create movement and make a block more interesting.  I also fussy cut some of the triangles.  My finished blocks were to be 12 inches square so I cut a piece of cheap, plastic tablecloth about 16 inches square, set it on my ironing board, and arranged triangles on the flannel back until I got a pleasing design.  Ms. Nadelstern suggests several main arrangements with variations for each, but your fabric choices are what will make your quilt.  She also shows photos of several finished quilts.  I loved playing with the fabrics and even dragged my husband in for his opinion now and then.  Since his head works very differently than mine, I got some interesting opinions, many of which were very useful.

TIP:  Avoid open windows and fans or you might get a colorful snowstorm of triangles.

Puzzler

I read the book fairly completely before I did the quilt, but I missed a critical element.  I wondered why she called it a "puzzle quilt."  Later I read that you are supposed to make your blocks so that there are two of each pattern, for which you use different fabric choices.  If you number my blocks like you read a book then #2 and #6 are the same pattern.  The idea is for an admirer to try to find the blocks with the same pattern.  I didn't do that, but instead just played, had fun, and love this quilt that now resides on the back of my sofa.  It is the perfect size to use for decoration or as a lap quilt.

For quilting I used the Baptist Fan design.  This link takes you to a website that shows a very clever way to draw the design.  I happened to use Adobe Illustrator on my computer.  Once I had the design printed I copied it onto one piece of  Golden Threads tracing paper.  Then I cut 12 pieces of the tracing paper, each large enough for a block, stapled them securely together and machine stitched through the pile without  thread.  This left holes as guide lines.  You can also stitch through only one if you want to use pouncing chalk.  I suppose you could use your walking foot to do the quilting, but I decided to try my hand at free motion so I could avoid turning the quilt so much.  I did OK, got a lot of practice, broke a few needles and broke the thread sometimes, but those frustrations can provide motivation if you can figure out what caused them to happen.  I quilted a simple design in the sashing, but still used the tracing paper to keep it regular. (Sorry the photography is not up to snuff here, but the quilting is pretty much background noise and doesn't show much even on the quilt itself.  Great way to learn!

TIP:  Read the books you buy!  It is amazing how much you can learn when you think you already know how to do something.

TIP:  Triangles have a bias edge and you must treat it with gentle hands and move it through the machine without stretching if you plan to have a quilt with straight edges.  Please be sure that the straight edges are on the straight and crosswise grains of the fabric or you might have an unpredictable mess when you put the quilt together.

TIP:  Cut the triangles a smidge large, then carefully measure and trim each square after sewing two together, making sure the diagonal line of the ruler lines up with the diagonal seam.  That way the 12 inch block will come out to be the proper 12 1/2 inches (that includes 1/4 inch seam allowance).

Synergy

I love Jinny Beyer designs and fabrics so it is understandable that I fell prey to the pattern she named "Synergy."  It was published in McCall's Quilting magazine February 2007.  Her patterns have so much movement, depth and color.  I visited her shop in VA once and was entranced by all her beautiful fabrics.  What a treat.

Synergy was my introduction to spiral quilts, although I didn't know it until several years later when I picked up a book by RaNae Merrill called "Simply Amazing Spiral Quilts."  It is comprised of sixteen blocks made in the same fashion as a traditional Log Cabin block, but with triangles instead of rectangles.  It is sometimes called a Twisted Log Cabin.  I used the paper piecing technique, but instead of copying the published master pattern, I drew it out on my computer so I could easily print out the necessary 16 paper patterns.  There are directions on how to sew this block without using paper here.  I must confess that I have not tried the latter method.  I happen to enjoy paper piecing or foundation piecing as it is also called.  I love Sulky Paper Solvy for paper piecing because I can run it through my printer, and it is soluble so you don't have to tear the paper out when the sewing is done.  I tear out the bulk of it anyhow, but any little pieces left will disappear when the quilt is immersed in water.

I love the way this pattern swirls and flows so I tried some quilting that reflected that quality.  It is not very imaginative, but remember, I was just learning and this was another step up for me.  I got hooked on curly-cues early on for the the red border.  Mine are very inexact, although I prefer to call them "organic."   I find curves easier to do than straight anything, but then I landscaped the lawn with curves too (drives my husband crazy!).  Leah Day has many ideas for quilting.

I have published these TIPS on paper piecing before, but it never hurts to review them:

TIP:  When paper piecing be sure that the fabric covers the required area and seam allowance completely …..as you go.

TIP:  Be sure to press the seam every time you stitch and press it all the way back away from the stitched join.  Sulky Paper Solvy  gets scorched and brittle from ironing if there are a lot of seams.  I now use the Hera Marker to do "finger pressing."  I find I do a better job of getting the fabric tightly pressed and I don't scorch the paper or my fingers.  A toothbrush back also works.

Paper Piecing

It was right about here in my journey that I learned how to do Paper Piecing, also called Foundation Piecing.  It is not hard, and once you catch on, it allows you to piece a block or shape with amazing precision.  You can piece tiny, little pieces that would otherwise be impossible.  You can look at a good video tutorial on Foundation Piecing if you don't know what I am talking about.  You can start with some simple practice blocks such as the triangle sashing blocks in this quilt.  The sashing is 2 inches wide so they really don't have to be paper pieced, but I found that the bias edges of the triangles were much easier to control with paper piecing.  I loved the way everything lined up straight and measured correctly when I put the quilt together.

Here you see again that I have a penchant for fussy cutting and kaleidoscope design.  The feature fabric is a symmetrical, border fabric that screamed for action.  The large blocks also have bias edges to work with, and they must be sewn carefully without stretching.  It may help to pin if the edges are long.  If you find that you must sew a bias edge to a straight edge it works best to keep the bias edge on the bottom as you sew and again, you probably would do well to pin first, but please do not sew over the pins.

If you look carefully you can see that I branched out to some easy free motion quilting on this quilt.  My first attempt was so awful that I ripped it all out and did it over again.  Yes, ALL the quilting!  This is frustrating, time consuming and discouraging, but I urge you to rip if you don't like the results.  You will never learn to like that quilt if you aren't happy with the job you did.  You can save yourself a lot of grief by making some 12 inch quilt sandwiches out of your chosen fabric and batting on which to practice your design.  Either way you will have practiced and learned to machine quilt a little better.