Galaxies

Did you figure out how Galaxies was made?  It is all paper pieced, but you already figured that out.  It is made from several major shapes, which are broken down into a log cabin type design using triangles instead of rectangles.  When the shapes are put together they create a 60º wedge.  Put the wedges together and you have a hexagon.

I think I would call this an advanced design for quilters.  There are a lot of difficult seams to match and points to stitch correctly.  It takes time.  The top black pieces are all part of a triangle shape so it is made of little paper pieced triangles like the colored part.  The side black pieces are large pieces of fabric - no seams.

Coloring in the little triangles is what makes the design move.  All of the triangle shapes have mirror images of each other, either horizontal or vertical, and with the same or different coloration.  The hexagon and pentagon are just what they are.  However, on each side of the pentagon notice the rhomboid shapes (skewed rectangles or parallelograms with unequal sides and angles).  They have been colored differently from each other to give movement to the hexagon.  They also create an unusual black shape at the bottom because some of the little triangle pieces are cut from black fabric.  Below is the the complete drawing of the design.  Add black fabric for the corners and you have a square quilt.

Illustrator drawing of Galaxies.

See last week's post to see the actual, finished quilt.

You can take a design like this, color it differently and have a totally different looking quilt.  Tons of fun!  I always color one wedge and then let Illustrator rotate it around the center to see the complete design.  Then I live with it for awhile, present it to my husband, incorporate his thoughts and try again.  This generally goes on for days, but it is fun to have him involved in the design process.  He has good ideas.

TIP:  What can I say?  Have fun.  The design process takes time.  It needs to percolate through your days and your nights.  It is easy to make changes at this stage.

Spiral Quilts - Sew it Together

You have finished all the paper piecing and are admiring the completed shapes on your design wall.  Now you get to sew those shapes together, which is exactly like sewing the pieces of any quilt together. First, you sew the shapes (pentagon and triangle here) of the wedge together until you have all your wedges complete, then sew the wedges together.  With only two shapes this is a relatively simple matter.

You will have points to watch along the seam lines.  Be sure they look the way you want them to before you go on.  Some of my points refused to behave at the seam line so I cut out little flowers from one of the fabrics and appliquéd them over the offending areas (see right side of photo).  This was a better solution than redoing seams until the fabric died.

TIP:  Covering up faults is not cheating.  It is called artistic innovation.

Another problem area may be the very center where all the wedges come together.  This design has a lot of seams jammed up tight at the center point and it was impossible to put them together nicely.  My solution was to make a 4 inch kaleidoscope of six small wedges from my feature fabric, and appliqué it over the bulky center.  From the back I cut away the bulk.

TIP:  One way to avoid problems in the center is to use a single fabric at the point of the wedge and choose a hexagon or octagon for your design (6 or 8 wedges).  That chosen fabric could be fussy-cut to yield an interesting design.  This solution would have to be included as part of the original design.

I have not tried it yet on a spiral quilt, but on my next one I am going to glue baste the seams together instead of pinning.  See Christy Fincher's tutorial on this process.  I tried it on a recalcitrant border on my current work in progress and it was fabulous.  When you think about it, no matter how careful you are with pins, they distort the fabric.  I have spent way too much time redoing seam junctions, and with spirals there are often more than two seams coming together.  RaNae Merrill likes to keep the paper in until the seams are sewn.  I prefer working with the fabric without paper so I tear off at least the seam allowance.  You'll have to find what works best for you.

TIP:  Take your time, work slowly and carefully, and it will be beautiful.

Pressing is a major issue as the bulky seams have a mind of their own.  I just let them play their own game as long as the piece looks nice on the front.  The only time I try to control them is when I have three or more seams at a junction.  Then I like to have all the seams flat in the same direction so I end up with a nice little rosette at the center.  That often means that a seam will have to twist somewhere along its length.  To tell you the truth, I have never noticed those twists when the quilt is done and they don't interfere with the quilting.  They are less bulky than the seam junctions.

Finishing requires placing the circular design onto a background, and I leave it to you to figure out how your special design will be displayed.  I put mine onto a square or rectangular background by sewing large pieces of fabric onto the edges of the spiral however they will work and be easiest to sew.  You can face the mandala, cut away excess fabric after it is turned, and appliqué it to a background.  If you do this, you will have a circular border around the finished spiral.  The heavy seams of the spiral will not turn under neatly so they have to be sewn in a way that allows them to lay flat.

This is the finished quilt that I have been describing.  In my next post I will talk about quilting this type of quilt.

Reverie