Quilt Show and Hoffman Challenge

Rocky Mountain Quilt Festival was last week and of course I attended.  It is the only major show left in our area, which is surprising because we have so many great quilters here.  Several quilt magazines are published this area and we have a wonderful Quilt Museum.   I went on the first day (Thurs), but even so was surprised to find so few attendees.  Maybe the other two days were better.  Unfortunately the show seems to get smaller every year; fewer vendors, fewer quilts, fewer people.  The complete Hoffman Challenge was on display, but several of those quilts were badly creased.  There were a lot of clever, creative designs with the chosen fabrics stitched within.  The winners can be seen here.  Following are a few that struck my fancy.  Some may have been winners, but they didn't provide ribbons this year.  Instead they put a small ribbon-shaped sticker on the ID card and I didn't notice those until I was ready to go home.  The winners were scattered among all the rest and hard to find.

If any of you made one the quilts below I am sorry that I cannot identify you.  The cards were so small that they didn't show up with my camera.  Let me know and I will place your name with your quilt on this blog.

Unique - Black and White

I liked the way the color and black and white were united.

Nice spikes.

Loved the explosion of color.

Nicely done clown.

There were several nice jackets.  I liked this one best.

Appealing.  Fun detail on the lower right.

Novel with the unusual shape.

Fussy cut star.

Out of an old English novel.

This face was sculpted like a bas relief.  Very nice!
It won a First Place.

Sew some  happy seams this week.  I wish you a chance to look at the quilts of others.

How Fierce is Your Bulldog?

All kinds of people make quilts.  Some are more motivated than others about different parts of the process.  The vast majority of us make quilts for pleasure and the amount of time and care spent meets individual needs and goals.  What about quilting gives you pleasure?

I know a person who decided she didn't want to spend time being really careful.  She said, "I am not going to worry about points anymore."  So she doesn't worry about the tip of a point that gets a little clipped.  Her quilts are beautiful.  She makes quilts to be used and washed frequently and we all love them.  They do not have to be perfect in every detail.  That's OK.

Some make quilts for charity using donated fabrics.  The perfection seen in these quilts runs the gamut from quick to time consuming.  One lady told me that this allows her to do the sewing she loves without having to spend her money on fabric.  The important aspect of this kind of quilting is the potential to sell and raise funds for charity and from that is derived additional pleasure and accomplishment.

There are many talented quilters who make a business of quilting.  Those with longarm machines see tremendous variation in the quality of their customers' quilts.  Some clearly have no knowledge of "proper" techniques and their blocks don't even meet at the seams, but they love doing it or they are doing it for love.  Other customers pay to have beautifully constructed quilts quilted by a professional.  Still others prefer to do it all themselves, not wanting to share the glory, so to speak.  Pattern-makers transpose their quilts onto paper that others can make the same quilt.

I have one daughter who wanted to join the family enclave of quilters.  She made the attempt, but came to me one day to say, "Mom, I'm sorry, but I just don't enjoy quilting."  I am sorry she put that pressure on herself, but her considerable, artistic talents show in every other area of her life.  She just doesn't like to sew.

There are some of us who have fierce inner bulldogs and go above and beyond to achieve perfection. This can be frustrating because it is an unattainable goal.  So goes my quilting with a lot of ripping last week.  Why?:

• I wasn't satisfied with what I had done.
• I tried a new idea on the actual quilt because I didn't have a suitable tester on which to work (quilting the spiral).  I saw a portion of it that could turn into a more interesting sub-design.  Satisfied now and glad I re-did it.
• I stitched a bunch of motifs with the wrong color thread.  Just plain careless.  

I have an insatiable bulldog in me, but I still can't achieve perfection.  It's the same when playing piano.  There are some small glitches here and there that I consider too small to bother with considering the time it takes to rip carefully.  I have been known to use permanent marker to hide a small defect where possible. However, if a glitch bothers me I leave it overnight, and if it still bothers me by the next afternoon I pull out my ripper and redo it.

Ripping is really time consuming because you have to pull out enough loose thread beyond the defect  to tie off the ends on both sides.  Then more ends to tie in after you re-stitch the affected area.  Sometimes it is worth it and other times it is not.  How do I rip?  It depends.

• For quick and easy (not much danger of damage) I use the seam ripper to cut about every third stitch, top or bottom.  Then I yank the uncut thread from the other side and all comes undone.  The downside is a lot of tiny pieces of thread from the cut side.

Pretty obvious right?

• If you need to preserve enough thread to tie off the ends, use the seam ripper to cut one stitch on top and one on the bottom and then carefully pull the thread out of every stitch.  Sometimes you can pull two or three stitches out at a time without breaking the thread.  When you have enough out to tie a knot, do so and bury it.

• For really touchy spots where there may be other thread in the way such as SID work or tiny stitches I do one stitch at a time, using the top thread to pull the bobbin thread loop to the top , then slip the top thread out of the loop.  This can be done from the back if  you choose.  This is slow, but very safe.

Once the loop is up (red), pull the green thread free of the loop.
Do the same for each stitch.

Sew a happy seam this week.  I wish you no reverse sewing.

Time Off for a Show

My daughter and I went to the Rocky Mountain Quilt Festival.  This is where the Hoffman Challenge traditionally displays all the entries that were accepted into the show.  Imagine our surprise to find hardly any of the Challenge...maybe 15-20.  I didn't count.  No dolls.  No apparel.  No booth for information.  On the way out we asked about it, and apparently Hoffman has changed things around and this was all they sent.  The lady at the ticket table said they were as surprised as we were.  What a disappointment.  I did take a few photos of some of those Challenge quilts, which struck my fancy.  I did not look that closely at technique; that's for the judges.  I apologize to the quilters whose hard work created the following.  The labels were so small I could barely read them, let alone take photos of them.  The chosen fabric was littered with butterflies in many colors, and there was a "light" colorway and a dark colorway from which to work.  At the Hoffman Challenge website you can see the winners' quilts and if you scroll way down will find the butterfly fabric.

The following is a selection of those we viewed in person:

There were lots of butterflies within butterflies.

I found this one charming.

Unusual, interesting.

Lots of color.

Accessory fabrics within the stained glass framework.

Neat idea that spoke to me.

Love the precision.  Nicely executed.

Ten individually bound mini-quilts stitched to the turquoise background.
Like an entomologist's display.  Clever.

I like the overlaid embroidery on this one.

This one made me laugh.  Cute idea.

I must say that standing within a booth with five or six butterfly quilts I began to feel like there were too many bugs buzzing around.  Weird sensation, but the quilters really created their quilts with realistic butterflies on the brain.  Very few used the fabric only for color or texture.

The rest of the show was made up of exhibits by different groups.  The highlight for me was a booth with three of Sharon Schamber's beautiful quilts.  The detailing was spectacular.  I could have stood there for the next hour just taking in her incredible workmanship.  This particular show is not juried so there were no individual entries or prizes.  The exhibit I liked best was done by the Rocky Mountain Creative Quilters.  I didn't think to take any photos.  I must have left my brain at home.  They have a fine bunch of talented quilters in that group.  I don't know that I could have chosen any that I liked best - they were all amazing.

Caveat:  You may note some quilts that look like they are hanging poorly.  You are right!  The bars they were hanging from sagged in the middle.  This made the quilts slide toward the center so fold lines were accentuated, which made some quilts look crooked and bent.  Many of the bed-size quilts were dragging on the bare floor.  What a shame!

Next week I will get back to the saga of my binding redo and share a gorgeous binding on one of Sharon Schamber's quilts.

Sew a happy seam this week.  I wish you inspiration from the quilts above and others that you may encounter.

An Old Shoe

I really appreciate all the understanding, empathy and compassion that were expressed in response to my dark week post.  I especially liked the idea of framing Dixie, but then realized that the dog and half the background are already quilted - very poorly.  I just can't keep it, but I will redo it.  In the meantime, since I like the results so much (sans quilting), I will keep the bad one as a guide for a much nicer new one in the future with a different fusible material.  It was fun to do until it came to the quilting, which was truly a nightmare.  My real doggie gave me a sweet, loving lick to let me know it was OK...or maybe she just wanted a taste of my hand lotion.

Meanwhile, "Onward ho!"  What do I mean by "An Old Shoe?"  My mother used that expression to describe a new acquaintance who was able to settle into our life like family we had known forever.  Comfortable.  That is how I feel about the new quilt that I started this week because I am familiar with and enjoy the technique.

My new project has paper pieced spiral elements in it.  So, you say, "What is a spiral quilt?"  A spiral quilt can be made from any and many geometric shape(s) and is sewn like a log cabin block, but is made with triangles instead of rectangles.  I will try to give you a general, but admittedly skimpy idea, but if you want to try it I recommend RaNae Merrill's "Simply Amazing Spiral Quilts."  Her directions are clear and precise, covering the drawing, designing, and sewing.  Her second book, "Magnificent Spiral Mandala Quilts" is also excellent.  I design my spirals on Adobe Illustrator, but they can be drawn on paper with pencil, ruler and eraser.  They are sewed with foundation/paper piecing.

Step 1.  Draw the outline of a shape.  In this case I started with a triangle.

Step 2.  Draw a ring of small triangles inside the outer border, one along each side.  You can measure or make your triangles any size that you like.  I make mine kind of free form as I find the measuring tedious.

Step 3.  Draw another ring of small triangles inside the first ring.  Continue making similar rings until you get to the center.  RaNae Merrill goes into different ways to draw these triangles.  The way I am showing is the easiest to sew.

Step 4.  Fill all those inner triangles with color.

5.  Print or draw your design on paper (I use Sulky Paper Solvey and print it from my computer).

But....that is only one triangle. Let's play with that single triangle:

Now here is what you can do when you combine several geometric shapes into a 60º wedge.  This example is symmetrical, but you can get some interesting designs when you introduce some asymmetry with your shapes:

Symmetrical
60º wedge made with several different shapes.

Then rotate six copies of the wedge around its center point:

Six wedges can make a quilt.

See the wedge?

Now fill with color.  It is full of primary, secondary and tertiary design possibilities.  Talk about an adult coloring book!  There are so many ways to portray this and no one can figure out how you did it!  You can turn your imagination loose and it is not hard to sew one of these, but it takes time and attention to detail.

TIP:  Try a simple design or two this week.  It is fun.

Sew a Happy Seam this week.  I wish you some designing fun.

More Hoffman Challenge Quilts

Today I have more Hoffman Challenge quilts.  If you didn't see the ones I posted last week, just scroll down to my last post.

More elephants.  I love this parade.

A colorful, pretty sampler.

Isn't this horse a beauty?

More of the popular elephant theme.

Whimsical and fun.

This was very unusual design with color that really caught my eye.

Lovely appliqué and nice quilting.

Great dancing gypsy.  I loved the use of the challenge fabric in this one.

The intricate design caught my fancy on this one.

An interesting "modern" quilt.  It was sad to see the obvious fold lines, and they were a distraction on many of the quilts.  I can only assume that they were packed too tightly for their trip to Loveland.  However, it was a great show.  It is fun to see how all different quilters use the same fabric.

AQS Albuquerque

One of the first things I did in going to Albuquerque was learn to spell it!  That accomplished I walked into the beautiful Convention Center and drank my fill of gorgeous quilts by award winning quilters.  I was greatly humbled.  I didn't take pictures of all the top winners because I have seen some of them at other shows as well as published in one or more of the magazines to which I subscribe.  It is likely many of you have seen them too.

Best of show was for "Stars on Mars" (85"x85") by Gail Stapanek and Jan Hutchinson.  This was very striking with its high contrast, difficult construction and level of perfection.

Stars on Mars

************

Best Longarm Machine Quilting was for "Majestic Mosaic" (87"x86") by Karen Kay Buckley and Renae Haddadin.  The appliqué was impeccable and the quilting was unbelievable.

Majestic Mosaic

The winner for Best Home Machine Quilting (82"x96") was "Snow Flowers" by Susan Stewart.  The photos may not show how pristine white this quilt was, but believe me it was white as fresh snow.  The introduction of lace as a border element was unique and very beautiful.  The quilting is magnificent especially considering how large the quilt is.  It proves that we can do it on a domestic machine if we just keep practicing.

Snow Flowers

"Sunset Sentinel" (44"x39") by Cathy Geier. was a first place winner, but I don't know what category.  The tree was quite unique, made with black lace.  It had flecks of blue fabric encased behind the lace and was quilted with tiny pebbles.  What a great way to represent a tree in silhouette and suggest the myriad tiny branches and leaves.  I love it!

Sunset Sentinel

That's is for this week.  I will show some more next week.

BTW and OT another great personal accomplishment as a result of this trip was teaching the dog to ride and behave in a very frightening cage called an elevator, which bumps, moves, pings, has flashing lights and a very dangerous door that appears to be self-motivated.  She rode it like a champ by the time we headed home.